Features – IndieWire indiewire.com

How ‘Little Amélie or the Character of Rain’ Shows the World Through a Child’s Eyes

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Great Prosthetic Makeup Design Runs Through the Nose, Brow, and Jaw

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Where Does ‘Die My Love’ Go Next with a Wide Release and Oscar Campaign?

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The 7 Best New Movies Streaming on Netflix in November 2025

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After Finally Making His ‘Frankenstein,’ Guillermo del Toro Is Ready to Leave His Movie Monsters for Something New

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The ‘Predator’ Franchise Is Hollywood’s Blankest Canvas

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How ‘In Your Dreams’ Pushes CG Animation Style to Differentiate Fantasy and Reality

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Zach Cregger on the One Time He Felt ‘Not in Control’ on ‘Weapons,’ and Amy Madigan’s Refusal to Let Her Stuntwoman Run for Her

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New ‘Terrifier’ Allegations Reflect a Growing List of Artists Who Say They’re Afraid to Speak Out

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Andy and Barbara Muschietti Tease More Stephen King Characters in ‘It: Welcome to Derry’: ‘We Will Reveal the Iceberg of a Larger Mythology’

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Filmmaker Henry Selick Is an Avowed Bruce Springsteen Fan — and He Wants You to See ‘Deliver Me from Nowhere’ Right Now

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True Crime Casting Still Doesn’t Look Doofy Enough on TV

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Lynne Ramsay Is Still Cutting ‘Die My Love’ — in Her Mind, at Least

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With ‘Pluribus,’ Vince Gilligan Is Going Back to His Other Big TV Show

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The 25 Best Election Movies of All Time, from ‘The Manchurian Candidate’ to ‘State of the Union’

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Jennifer Lawrence and Robert Pattinson on Zoloft, Method Acting, and the Anxious Romance of ‘Die My Love’

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Every Yorgos Lanthimos Film Ranked, from ‘Dogtooth’ and ‘The Lobster’ to ‘The Favourite’ and ‘Poor Things’

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How ‘The Chair Company’ Costume Design Brings a Sense of Reality to the Surreal

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The 7 Most Anticipated Shows on Netflix in November

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How Playful Camera Techniques in ‘Hedda’ Keep Pace with Tessa Thompson

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