Features – IndieWire indiewire.com

The 13 Best New TV Shows This November: ‘I Love L.A.,’ ‘Pluribus,’ and More

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Catherine Corcoran Isn’t the First to Feel Cheated by ‘Terrifier’

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‘Bugonia’ Goes Big in the Basement: Why Yorgos Lanthimos Reached for a Barely Functioning VistaVision Camera

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‘A House of Dynamite’ Star Tracy Letts Asks ‘If We’re Really Done Here?’

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The 13 Best Horror Films for Horror Wimps on Halloween Night

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The Best New Blu-ray and 4K Releases in November 2025

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The Best TV from October — New Shows, Great Finales, and Hidden Gems

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How This Year’s Gotham Nominees and AFI Fest Impact the Oscar Race

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Chris Stuckmann Was a Test Case — 3 (Painful) Lessons to Learn from Neon’s ‘Shelby Oaks’

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Freddy Krueger’s Real Revenge? A 40-Year Journey to Recognizing the Importance of ‘A Nightmare on Elm Street 2’

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Move Over, Netflix — Emma Thompson Enters the Streaming Era with Apple TV’s Dark ‘Down Cemetery Road’

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‘Anniversary’ Filmmaker Jan Komasa Conceived of ‘Dystopian’ Film Six Years Ago — Now, It Feels All Too Real

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Bryce Dessner’s ‘Train Dreams’ Score Crafts ‘A Great Mystery’ Outside Time — Listen

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‘The Lesbian Drama’s Happening Somewhere’ — Nia DaCosta on Turning ‘Hedda’ Into a Party

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Note to Film Festivals: Why Smaller Is Better

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How Jerskin Fendrix Created One of the Best Scores of 2025 Without Seeing the Movie

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Tupac Shakur’s Last and Best Performance Comes to Blu-ray

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‘The Lowdown’: Walter Mosley on Episode 7 and Writing a Crime Noir Where ‘the Crime Is Original Sin’

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Bruce Springsteen Spent Years Saying No to Movies — Until the ‘Deliver Me from Nowhere’ Team Got Him to Say Yes

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16 Halloween Costume Ideas Inspired by Our Favorite 2025 Movies and Shows

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