Features – IndieWire indiewire.com

Tim Robinson Has Mastered the Art of the Fake Company Name

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Why Derek Cianfrance Lightened Up After ‘Blue Valentine’ and More for the Mainstream Comedy ‘Roofman’

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The Onion Is Making Mockumentaries for Real Americans with ‘Jeffrey Epstein: Bad Pedophile’

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Diane Keaton’s 13 Best Performances, from ‘The Godfather’ and ‘Reds’ to ‘The First Wives Club’ and ‘Something’s Gotta Give’

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‘After the Hunt’ Writer Nora Garrett Unpacks That Ending — and How Luca Guadagnino Pushed for Essential Changes

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Daniel Battsek Joins Screen Talk for a Candid Chat About NYFF, 2025 Movies, His Olden Days at Miramax with ‘There Will Be Blood’ and ‘No Country’

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The Best Movies New to Every Major Streaming Platform in October 2025

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‘A House of Dynamite’ Star Idris Elba on Picking Up Morgan Freeman’s Mantle as the Go-to Head of State

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Norman Lear’s Timely Swan Song ‘Boots’ Shines the Light on Military Homophobia — but Not Brightly Enough

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Andrew Jarecki Left My Jaw Open and Inspired Gasps with Exposé ‘The Alabama Solution’

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One Baby After Another: Why So Many of 2025’s Best Movies Are About the Agony and Ecstasy (but Mostly Agony) of Having Kids

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Ivy Wolk’s Characters, Like in ‘If I Had Legs I’d Kick You,’ Are ‘Always in the Service of Pissing People Off’

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Every Luca Guadagnino Film Ranked, from ‘I Am Love’ to ‘Queer’

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Julia Roberts’ 10 Best Performances, from ‘My Best Friend’s Wedding’ to ‘Erin Brockovich’

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Indy the Dog Is the Star of ‘Good Boy,’ and His Most Important Co-Stars Aren’t Even Human

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How Luca Guadagnino Lured One of the Greatest, Most Elusive DPs Back to Movies for ‘After the Hunt’

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How the Original ‘Tron’ Changed Movies Forever, and Why It Didn’t Win an Oscar in 1983

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Daniel Day-Lewis Tells Martin Scorsese Why He Came Back to Acting for ‘Anemone’ and His Son Ronan

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The 25 Best Found Footage Movies Ever Made

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Rose Byrne and Mary Bronstein Break Down ‘If I Had Legs I’d Kick You’: The Title, ‘Uncut Gems’ Comparisons, and the Film’s Own Many Breakdowns

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