Features – IndieWire indiewire.com

10 Must-See AFI Fest Movies as Chosen by the Programmers, from the Audacious ‘Yes’ to Josh O’Connor in ‘Rebuilding’

indiewire.com·30w

Inside the ‘Task’ Finale: Mark Ruffalo’s Speech, That Last Shot, and Not Ending the Series After Explosive Penultimate Episode

indiewire.com·30w

Actor-Turned-Director Harris Dickinson and His Breakout Star Frank Dillane on Their Cannes Stunner ‘Urchin’

indiewire.com·30w

Getting Out of Oregon Gave Kelly Reichardt the Best Filmmaking Experience of Her Life

indiewire.com·30w

How ‘The Twits’ Adapted Roald Dahl’s Dark Comedy — and Changed Its Macabre Ending

indiewire.com·30w

‘Roofman’ Balances Derek Cianfrance Indie with Earnest Aughts-Style Studio Picture

indiewire.com·30w

How ‘Frankenstein’ Helped Invent the Modern Studio Horror Movie in 1931

indiewire.com·30w

‘It Was Just an Accident’ Editor Amir Etminan on Cutting the Film in Secret, in a Safe House, and Off Hidden Hard Drives

indiewire.com·30w

In ‘Nirvanna the Band the Show the Movie,’ the Rivoli Gig Is as Elusive as Ever. That’s Just How Matt and Jay Want it

indiewire.com·30w

10 (More) Years of Shudder: What’s Next for the Scariest Brand in the Indie Film Business?

indiewire.com·30w

Mark Pellington Revisits His Youth, and the Beginning of a New Information Age, in ‘This Is Buzz’

indiewire.com·30w·Hacker News

Drew Struzan’s Best Posters: A Look at the Artist Behind Iconic ‘Indiana Jones’ and ‘Star Wars’ Images, and More

indiewire.com·31w

How Two Friends Turned Endless Film Festival Ovations Into a Viral Short

indiewire.com·31w

Tim Blake Nelson Is a Multi-Tasking Brainiac

indiewire.com·31w

Paul Thomas Anderson Wrote Junglepussy’s ‘One Battle After Another’ Role Just for Her — but This Scorpio Had a Few Notes

indiewire.com·31w

This Film Residency Isn’t Like All the Others

indiewire.com·31w

The Best Frankenstein Movies, Ranked

indiewire.com·31w

The 9 Scariest Stories Hollywood Still Needs to Adapt

indiewire.com·31w

‘Mr. Scorsese’ Started as a Two-Hour Film — ‘It Was Impossible,’ Says Series Director Rebecca Miller

indiewire.com·31w

The Camera He Wasn’t Allowed to Touch: First-Person Storytelling from a Grand Slam Winner of The Moth

indiewire.com·31w

Log in to enable infinite scrolling