Features – IndieWire indiewire.com

Inside the Musical Inspirations for Anne Hathaway’s ‘Mother Mary’ Pop Icon

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Indie Film Has an Audience Problem

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How to Make a Microbudget Movie When Hollywood Won’t Fund Your Film

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Anne Hathaway’s Controversial New Horror Movie About a ‘Tradwife’ Is Already Hell Online

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Why ‘Euphoria’ Creator Sam Levinson Had to Reshoot Episode 3’s Shocking Climax

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The Drunk Driving Arrest That Almost Shut Down Hitchcock’s ‘The Birds’

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Enjoying Kurt Russell on ‘The Madison?’ Check Out His Best Performance Ever, in Ron Shelton’s ‘Dark Blue’

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That ‘Euphoria’ Wedding Was Always Meant to Be a Disaster

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Watch Michelle Yeoh, Maggie Cheung, and Anita Mui Save a Bunch of Floating Babies in ‘The Heroic Trio’

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Pete Ohs Wants Filmmaking to Be Fun — and for You to Edit His Movies

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‘Stranger Things: Tales from ’85’ Should Be More Like a Saturday Morning Cartoon

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The Fight Sounds in ‘Beef’ Season 2 Bloom Like a Bruise

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Movies You Won’t Want to Miss: Hear from John Early and IndieWire Staffers About CinemaCon, ‘The Mummy,’ and ‘Maddie’s Secret’

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The Best Movies of 2026 (So Far)

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They’ve Seen the Same Movie 1,000 Times, and They’re Not Stopping

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After ‘Baby Reindeer,’ Richard Gadd Is Now HBO’s Unsettling New Antihero with ‘Half Man’

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Robert Aramayo’s Star-Making Turn in ‘I Swear’ Is Already Award-Winning, Now He Just Wants People to See It

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Aaron Taylor-Johnson Has Been Performing for Almost 30 Years — He’s Now Just Starting to Really Feel Like an Actor

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A Music Biopic Supply Crisis Is Looming

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‘Margo’s Got Money Troubles’ Did Not Skimp on Its Pro Wrestling Action

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