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Features – IndieWire
indiewire.com
‘Margo’s Got Money Troubles’ Did Not Skimp on Its Pro Wrestling Action
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r/television
‘Air Bud Returns’ Is an Indie Movie Now — and Also Hopefully a Box Office Hit
indiewire.com
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Jorma Taccone Wants to Tell You About His Ten-Year Break from Filmmaking — but First, Al Pacino Impersonations
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Zach Galifianakis’ ‘This Is a Gardening Show’ Is the Kind of Whimsy We All Need Right Now
indiewire.com
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‘Sleepers’ Turns 30: Barry Levinson Looks Back on His Most Haunting Film
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Stoner Movies Are Dead, and Weed Killed Them — Opinion
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‘Beef’ Season 2’s Production Design Tells You Exactly Where Each Couple Stands
indiewire.com
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‘Euphoria’ Built a Giant Leg in the Desert for Season 3’s Silver Slipper Strip Club
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The 65mm Show to Watch Is ‘Beef’ Season 2
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‘Euphoria’: Sam Levinson on Season 3’s Western Connection and Why They Shot on 65mm Film Stock
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When 4/20 Lands on a Monday, You Have to Watch Gregg Araki’s ‘Smiley Face’ — OR ELSE!
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Jeremy O. Harris on Juggling Theater, ‘Erupcja,’ and Why He Became a Producer
indiewire.com
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David Lowery Turned a Creative Crisis and Late-Night Doubt Into ‘Mother Mary,’ His Most Complex Movie Yet
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‘Mad Bills to Pay’ Director Joel Alfonso Vargas Knows He’s Living an Indie Film ‘Cinderella Story’
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How the ‘Blue Heron’ Editor Turned the Director’s Childhood Into One of 2026’s Best Films
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Why ‘Beef’ Season 2 Star Charles Melton Keeps Betting on Bold Filmmakers
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You Oughta Know, ‘The Pitt’ Finale’s Karaoke Credits Scene Is a Gift for the Fans
indiewire.com
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Do the Universal Monsters Still Matter, or Are They Already Dead?
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Bob Odenkirk’s Transformation Into John Wick Is Just Beginning
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How Do You ‘Inadvertently’ Get Lorne Michaels to Be Your Next Documentary Subject? Morgan Neville Explains
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