Features – IndieWire indiewire.com

5 Must-See Movies at the 2025 Tokyo International Film Festival

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Who Is ‘Springsteen: Deliver Me from Nowhere’ Actually for?

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Oscar Winners Ben Proudfoot and Kris Bowers Used a ‘Sinners’ Camera and More to Preserve Cinema History in ‘The Eyes of Ghana’

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Jeremy Strong Loves Figuring Out Real People, from Mark Zuckerberg to Jon Landau in ‘Springsteen: Deliver Me from Nowhere’

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When Andrew Garfield Left ‘Frankenstein,’ the Producers Had to React Quickly to Bring in Jacob Elordi

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‘Little Amélie,’ ‘Arco’ Win Top Honors at Animation Is Film Festival

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Charles Chaplin’s Unrealized Passion Project Comes to Life in a New Book

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The Best Movies of 2025 (So Far)

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Scott Cooper Is Realizing His ‘Springsteen: Deliver Me from Nowhere’ Might Not Be What Most Audiences Are Expecting

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Memo to Awards Voters: Don’t Sleep on These Worthy 2025 Horror Performances

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The ‘Smiling Friends’ Creators Tell Us Why the Show Won’t Run as Long as ‘South Park’ or ‘The Simpsons’

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A Tribute to the White House Movie Theater, Now Demolished Along with the Rest of the East Wing

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How I Shot That: Camera Survey of 45 of the Top Fall 2025 Films

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Understanding the Birds of ‘Task’ — and How They Became the Final Image of the Series

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Want That Oscar Nomination? Contenders Must Now ‘Put in the Legwork’ and Attend a Wealth of Regional Film Festivals

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Music, and Tulsa, Inspired Sterlin Harjo’s Writing Process for ‘The Lowdown’

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How ‘The Mastermind’ Found 1970s New England in Ohio

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Logic Found His Calling as a Filmmaker with ‘Paradise Records’ — and It Might Not Be Long Before He’s a Studio Head

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All Hell Breaks Loose When Nina Hoss Invades the ‘Hedda’ Party

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Every Guillermo del Toro Movie, Ranked

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